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Dynamic range (abbreviated DR, DNR, or DYR) is the ratio between the largest and smallest values that a certain quantity can assume. We’re most definitely NOT talking about compression of quality for space-saving reasons. Dynamic range control can alter the sound of the content. Not if your goal is best quality Audio. This reduces the dynamic range in predetermined ways so that the result is uniform audio, or at least audio whose loud and soft ends are much closer to each other. And these audio processing features MAY make that lowered volume audio more tolerable -- particularly as regards to keeping dialog understandable. There is no reference for the dB output; it is a straight conversion: x d B = 20 log 10 (x). Upshot: Keep it switched off unless you need it. "Way Down East" (1920) on Blu-ray. Melodrama of the First Water! →. Should you use them? We are talking about compression of the dynamic range of sound in an audio track. My 5.1 channel system has it set to "auto" by default and I can also turn it "on" or "off". I.e., less need to reach for the Volume control to hear a passage that's suddenly too soft or squelch one that's suddenly too loud (such as a loud commercial interrupting your TV show). A static name always refers to the same cells, meaning you would have to update the range reference manually whenever you add new or remove … Is there ever any reason you might want to use these features? ), you will probably lower Volume a bunch. Dynamic range control, in a nutshell, makes the loud sounds quieter, and the quiet sounds louder, so you can keep the volume at one setting without struggling to hear-or … Last edited: Jun 16, 2017. ← The Familiar Ring(ing) of Excess Sharpness! Of cause this is not the ideal thugh, but the ideal is to play audio at reference and this just isn't always the most practical or desirable option. Dolby Volume uses Digital Signal Processing to provide a combo of Dynamic Range Compression AND Loudness-like volume adjustments at the same time. Second, it's pretty common for such processing to come with its own limitations. So traditional Dynamic Range Compression processing is something which gets applied at the time the Bitstream audio track gets decoded into LPCM. You might need to adjust the output of a dynamic range control system to the range of your system. Dynamic range control is a feature designed for midnight listening. And if you don't NEED to use it, it's best to play it safe, and turn off such extra processing. And THAT means settings related to Dynamic Range Compression will likely be found BOTH in your Source devices and in your AVR. So you may have to read between the lines to determine whether any given audio "feature" MIGHT really be doing Dynamic Range Compression or Loudness Adjustment. Also enabling such processing on Bitstreams which contain the new, "immersive" audio tracks (i.e., Dolby Atmos or DTS:X) typically will NOT preserve the information necessary to drive the Height speakers. I understand that it has something to do with increasing dialog clarity at low volumes. But for any critical listening -- whenever you care about audio quality -- you want all this stuff Off! So an Atmos track gets played as if it was a Dolby TrueHD 7.1 track, and a DTS:X track gets played as if it was a DTS-HD MA 7.1 track. Thread starter leukoplast; Start date Dec 26, 2007; Reply Forums; PlayStation Forums; PlayStation 3 and Legacy Consoles Forum; L. leukoplast Guest. Vehicles usually have suspensions tuned for either on-road or off-road handling, but not both. If you want to play content late at night and are worried about waking the baby (e.g., the next door neighbor who likes to complain!

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